SONGwritingCONTEST

for original songs written

during #lockdown

Trapped inside during the time of Corona, VR Theatrical (with a nudge and a push from some friends) decided to embrace the challenge of continued theatre-making.

To this end, we are searching for the Top 10 original songs, written during #Lockdown.
If you write songs, and your creations meet the following criteria, we’d love to hear from you!

NO ENTRY FEES!  Can you afford NOT to enter?

CRITERIA FOR SONGS

  • Any musical genre

  • The song must be an unpublished new work.

  • Songs must be original and contain both music and lyrics. 

  • We are not looking for instrumental pieces and songs have to contain voice with lyrics.

  • Songs may be co-written.  All writers must be credited appropriately. 

  • Your entry does not have to be professionally mixed, produced etc.

  • We require a clear video of at least one instrument and voice performing the song live.

  • All standard video formats will be accepted.

  • You may make use of other singers/instrumentalists that is not the songwriter for recording purposes.

  • Songs must be fresh and written during the lockdown period.

  • In order to be eligible the lyric ‘LOCKDOWN’ has to appear somewhere in your song at least once.

  • No adaptations of existing works will be accepted.

HOW DOES THIS WORK?

We're looking for the Top 10 Best Original Songs written during Lockdown. 

 

You record and submit a clear video of your song. 

Spot 10 - 7 will be video submissions as received from entries and will be digitally  packaged on a pay-per-view streaming service, together with the Top 3 songs.  The writers of these 10 songs will receive pro-rata remuneration - the more downloads we get, the more money you stand to make. 

VR Theatrical will provide The Top 3 songs with brand new, full orchestral musical arrangements and backing tracks. 

 

Should your song be selected, we will be in touch to discuss production.

​​KEEP IN MIND

  • Your play will be produced and filmed under the current lockdown restrictions - keep this in mind when choosing settings for your play.  (Keep it indoors or garden-territory.)

  • Write as much "stage direction" as you feel necessary to paint the picture of what you're trying to achieve.

  • Write compelling characters who audiences will be interested in getting to know.

  • Make sure your play has a clear beginning, middle and end.

  • Make sure your characters have an arc - they go through something that changes them, for better or for worse than when they started.

  • There are loads of good articles on how to write a good play - do some research!

  • Proofread your entry, have someone else proofread it, and then proofread it again before sending.

  • Read your play out loud or, better yet, have a group read your play to hear if dialogue sounds authentic.  (Zoom is a useful tool!  Throw a play-reading-party!)

SUBMISSION RULES AND GUIDELINES

The Submission deadline is

1 June 2020 at 12:00 noon

Entrants must be at least 18 years of age by June 1, 2020. 

 

By entering, playwrights consent to VR Theatrical producing their work and declare that the work submitted is their own and does not infringe on any copyright whatsoever.

Entries should be submitted in an electronic format, PDF or Word Document

and attached to the application on the next page. 

 

We’re particularly excited about plays that embrace the creative possibilities of storytelling through sound and language. Your play may include brief moments of music, but it shouldn’t be a musical.  We’re unable to accept any supplementary tracks or audio files at this point.

Please make sure that you play contains the following:

  1. A title page

  2. A short synopsis

  3. A character breakdown with sufficient details on the character.

Please keep formatting consistent.  Here is an example for reference:  https://downloads.bbc.co.uk/writersroom/scripts/stageus.pdf

Feel free to contact us on hello@vrtheatrical.com for any questions.

JUDGING CRITERIA

Creativity
• Originality
• Lyrics (excludes songs that do not have lyrics)
• Melody
• Arrangement
• Overall likeability

Some categories may have additional criteria. Production/Recording quality and vocal ability are NOT criteria (except in the Performance category in which Vocals are a judging criteria).

Feasibility  (5 points)

Could this play be staged within the restrictions of lockdown, considering setting, costumes, number of characters, subject matter and language? 

Essentials  (20 points)

Does this play have the essentials for dramatic development?  Is there a protagonist?  Is there an antagonist? Does this play have a protagonist who has a clear and compelling goal and who is involved in a central dramatic conflict?  Are there obstacles to these goals?  Are the obstacles believable?  Does something really happen on stage? 

Mood and Genre  (15 points)

Have the mood and genre been clearly developed?  Are there clues early on that tell the audience that they will be seeing a comedy or a melodrama or a psychological thriller, etc.?  If it starts out funny, does it stay funny?  If not, is the audience surprised in a logical or satisfying way? 

Characters  (10 points)

Are the characters interesting and credible?  Have they been clearly defined and fully developed?  Are all the characters necessary to the play?  Have the main characters evolved through the course of the play?  Will the audience care about what happens to them? 

Dialogue  (5 points)

Does the dialogue sound natural and credible?  Is it fresh and compelling?  Does it suit each character?  Does each character have a unique voice? 

Story/Plot  (15 points) 

Does the story progress at an engaging pace?  Does something happen?  Do the events within the play lead to significant changes in the main characters.  Is there a resolution to the conflict?  Is the plot interesting enough to hold the audience’s attention ?  Is each scene important and relevant?  Does the play capture your attention? 

Overall rating  (30 points)

Is the dramatic situation involving the protagonist and his/her conflict interesting for an audience?  Did you enjoy the play?  Were you comfortable with the setting, situation, characters, dialogue, pace, and resolution?  Could you picture the action onstage?  Did you feel it was worth your time to get to know the characters and their story?

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